Brief Analysis to the Aesthetic Value Of “To Autumn”

學(xué)習研究Brief Analysis to the Aesthetic Value Of“To Autumn'”何宇(貴州師范大學(xué)求是學(xué)院，貴州貴陽(yáng)50001)中圖分類(lèi)號: G80文獻標識碼: A文章編號: 1003-2738 (2011) 11-0105-01Abstract: “To Autumn" is the last eulogistic poem which is created by the 19* century English romanticism poet Keats. In thispoet, Keats breaks through the empahsis of imagination of his early stage poetry, from “ aesthetic" to“truth is beauty" ,he expressesthe theme that the human and the nature harmonious blend, and eventually return to nature ,at the same tine, “To Autumn” reaches theatural and touching aesthetic realm, which establishes the basis for the evelopment of the English ronantic poetry.Key words:“To Autumn”; aesthetic value; romanticsim一、Brief introduction to“To Autumn"and is full of optimistic emtional appeal, from the point o(一) Brief introduction to the author John Keatspursuing for beauty, his eulogizing for aesthetic perception is specifc tueJohn Keats is one of the most outstaning poet in the early 19th century.and healthy.Between 1918 and 1819,he created many eulogistic poem, including "OdeThe feeling and the object that Keats shows in“To Autumn" is sincereto Psyche", "Ode on Melancholy", "Ode to a Nightgale", "Ode o a Grecianand natural, it can attract the readers' resonance and attention, people allUrn", and“To Autumn”etc. these elegant petries not only give thefeel the truth and beauty. At the same time, the pent-up in the peot, andreaders ethetial enoyment qtitscll, but also rigger people's thorough his aprehension for deah at the moment come 0o naught, consequentlythinking to the oiectie worid In the last two hundred years, many scholars it shows the theme that the human and the nature harmonious blend,andat home and abroad give“To Autumn"a comprehensive analysis andeventually return to nature. It reaches one kind of higher life realm.interpretation,and leave many rescarch resuls,all these results have beean the(二) Natural Aesthetic realmplatform and basis for us go on studying Keats and his poetry works.For the romantic poets, taking advantage of a scene to express their(二) Brief introduction to“To Autumn”feelinrtant feature and creation tei technique, in order to express"ToAutumn" is the last eulogistic poem, which is created in the autumn the strong fclig, many romantic authbors make an utmost efort to showin 1819, the teleologists all think this poem can better show the aesthetic their personal colour in their works, using enthusiastic languages, peculiarvalue of Keats' poetry, the content and the form are beeter linked together,imagination, bold and unconstrained exaggcrating tact to figure the qrtisticthe words are all oemneated with beauty, the most important is in this petry,image, to directly show the quthor's feeling. Keats' early works belongKeats broke through his emphasis of imagination in his early period poetry,to this kind of situation, but in "To Autumn’,Keats profoundly Shows hisexpressed the theme that the human and tbe nature harmonious blend,andgentle tone, the tension to the comfort, no crying out, no calling, soft andeventually retum to nature.二、The analysis to the the Aesthetic Value Of“Toindiferent. Which sbows Keats' aesthetic realm in“To Autumn".Autumn"三、ConclusionAll in all, in“To A utumn", Keats goes deep into the animateIn the early creation of Keats ,he emphsised the importance ofautumn, uses his autumn eyes to see the Mother Nature, catches the life ofimagination, he thought the beauty that people though imagination catchAutumn,and with the natural ,smooth verse, he stirs inoumerable readers'is true, this truth can truly exist, it can not exist, it can be objctive,it barsring.can be visional. This kind of beauty have the romantic properties, it hasnothing comtact with real life, and gets by inaginatin. However, with[1]朱炯強，姚暨榮.濟慈[MJ. 沈陽(yáng):遼寧人民出版社，1984. 143.his age growing and his expericnce increasing, Keats feeled the beauty he[2]王昕若，濟慈書(shū)信選[H].天津:百花文藝出版社，2005. 27.constructed before was so empty and narrow, so he began to suspect the. 濟慧的宗教與詩(shī)[D]. 天津師范大學(xué)碩士學(xué)位論文. 2007. 4[4]屬岸.濟慈詩(shī)選M].北京:人民文學(xué)出版社, 1 997. 274.imaginary beauty, and recgonized tbe relationship between the truth andthe beauty.“To Autumn”shows Keats' new realm of acsthetic thought,(接上頁(yè))的限制?？梢詫⒅醋鲆灰粋€(gè)話(huà)題的成分。這種移位和“把"字句和有助于漢語(yǔ)句式分析的統-化?！氨弧弊志渲械哪欠N移位是不同的，因為“把”字句和“被" 字句中參考文獻:的名詞移位后仍然還要收到介詞“把"和“被" 的限制。[1]徐烈炯.與空語(yǔ)有的“將的中國之1994， (5) .可見(jiàn)， 不論是連動(dòng)句還是主謂謂語(yǔ)句，不論是“把"字句還是[2]宋玉柱.現代中國煤化工191“被”字句，如果運用空語(yǔ)類(lèi)理論，并結合深層語(yǔ)義來(lái)分析漢語(yǔ)中的[3]劉道英.漢語(yǔ)YHCNMHG學(xué)報.200 (1)[4]喬姆斯基.句法這些特殊句式，我們就能找出它們共同的特點(diǎn)，而這個(gè)特點(diǎn)只能通過(guò)分析這些句子的深層結構得出。運用空語(yǔ)類(lèi)來(lái)分析現代漢語(yǔ)中的特殊作者簡(jiǎn)介:張小會(huì )，女，(1988-) ，四川宜賓，漢，四川大學(xué)文新學(xué)句式，這是一種新的思路， 有助于我們的句式分析向縱深發(fā)展，而且院10級語(yǔ)言學(xué)及應用語(yǔ)言學(xué)專(zhuān)業(yè)碩士，研究方向:對外漢語(yǔ)。|時(shí)代報告2011年11月下| 105.